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    JANDOSZákulisí filmu - Vše co není vidět na plátně, filmové zajímavosti.


    Vše co souvisí s filmem.. Fotografie, videa a jiné zajímavosti z natáčení a zákulisí. Filmové technologie
    rozbalit záhlaví
    BOBESH
    BOBESH --- ---
    Danny Trejo and Antonio Banderas on the set of Desperado, 1995

    TRAGED
    TRAGED --- ---
    On May 13 1983, "Blue Thunder" was released.

    The helicopter used to portray Blue Thunder was a French-made Gazelle with bolt-on parts to change its appearance. The chin cannon assembly was too heavy, necessitating a weight attached to the tail to keep the nose from dipping forward in flight. The Federal Aviation Administration (FAA) had to approve every single piece of equipment hung on the helicopter. The agency actually had inspectors checking the manufacturing of the helicopter to make sure it would be airworthy.

    Malcolm McDowell actually hated flying and no one could persuade him to overcome his phobia. During the final battle scene between his character Cochrane and Roy Scheider's character Frank Murphy, McDowell's grimaces were caught on film for all to see, clearly displaying his discomfort at being in the air. When thenwife Mary Steenburgen saw the movie, she was incredulous and asked the filmmakers, "How did you get him inside that little helicopter? I couldn't even get him inside a plane!"

    Despite the fact that they played characters that were enemies in this film, both Scheider and McDowell became very good friends while working on it. As McDowell would state at various science-fiction conventions, they enjoyed working together so much that they couldn't leave each other alone. When Scheider passed away, a very saddened McDowell was unable to attend his funeral due to a film project that he was working on and could not leave at the time, much to his dismay. As a result, he immediately ordered some flowers and sent a letter of condolence to Scheider's family.

    Real chicken was used during the "chicken rain" sequence. Four huge vats of barbecue chicken were lifted by crane and released over the police car and three other cars. When the scene was over, homeless people quickly appeared to help the film crew "clean up" the scene (in exchange for the chicken). No rubber chicken was used, according to director John Badham, because rubber chicken costs four to ten times more than real chicken. (IMDb)

    HITMAN
    HITMAN --- ---
    Indiana Jones and the Temple of Doom (1984)




    <img src=">

    PREDSEDA
    PREDSEDA --- ---
    PETGRIDUS: uááá ranbonůš!
    BOBESH
    BOBESH --- ---
    Sean Connery and Russell Mulcahy on the set of HIGHLANDER (1986).

    HADIAK
    HADIAK --- ---
    Fallout

    SPIKE411
    SPIKE411 --- ---
    𝗛𝗼𝗺𝗲 𝗼𝗳 𝗛𝗼𝗿𝗿𝗼𝗿 - Ever wonder how that beautifully eerie...
    https://www.facebook.com/share/p/KNJgCuLDkpjE8FPK/

    Ever wonder how that beautifully eerie opening scene of the Torrance family driving to the Overlook Hotel in ‘The Shining’ was filmed? This fascinating behind-the-scenes photo reveals the ingenious trickery director Stanley Kubrick employed. Rather than shooting on location, the classic yellow Volkswagen is mounted inside an elaborate rig, allowing Kubrick to capture every precise angle and movement in a controlled environment as actors Jack Nicholson, Shelley Duvall, and Danny Lloyd performed the “driving” scenes.

    Through technical wizardry like rear-projection compositing the exterior scenery, Kubrick made it appear the Torrances were genuinely journeying towards their inescapable fate. The contrast between the casual body language and unsettling undertones is pure Kubrick brilliance. Even for this relatively simple opening sequence, no detail was too small for his obsessively innovative approach. He pioneered such workarounds to translate his uniquely vivid cinematic visions onto the screen at the highest level.


    PETGRIDUS
    PETGRIDUS --- ---
    Return of the Jedi

    SPIKE411
    SPIKE411 --- ---
    The Star Wars Prequels' Biggest Innovation Had Unlikely Roots
    https://www.inverse.com/entertainment/young-indiana-jones-star-wars-prequels

    “It was the beginning of digital effects,” McCallum says. “We were the very first to have real visual effects that were done digitally. I mean, they were done on an Apple computer, but nevertheless, we had sometimes 50, 60, 70 shots in each episode. And the dream was how could we make something all around the world for the same cost of a typical show in the United States that shot on the stage in five days.”

    The team did that by basing itself out of Prague, working exclusively with local crews, and keeping the department heads in England. “That group became very intensely close,” McCallum says. “We all became very close, still great friends. I took everybody from Young Indy on to Star Wars, so altogether we were together for 15 years.”
    BOBESH
    BOBESH --- ---
    Mark Hamill, behind the scenes of The Empire Strikes Back.

    BOBESH
    BOBESH --- ---
    Shoutout to the truly insane 40x32 foot model of the ILM Mos Espa arena built for TPM.



    PETGRIDUS
    PETGRIDUS --- ---
    Lethal Weapon

    BOBESH
    BOBESH --- ---
    Christopher Reeve signing autographs at Niagara Falls on the set of SUPERMAN II (1980)

    ARAON
    ARAON --- ---
    PREDSEDA: To jsme dva. Ale spousta a lidí na něj nedá dopustit. Což nechápu.
    PREDSEDA
    PREDSEDA --- ---
    ARAON: Dalton byla rozhodně lepší volba. Ale doteď nechápu, jak mohl projít Lazenby.
    ARAON
    ARAON --- ---
    Before Timothy Dalton was cast, SAM NEILL was in the running to play James Bond. This is his screen test.
    https://twitter.com/ATRightMovies/status/1787573049652293642
    HITMAN
    HITMAN --- ---
    Mel Gibson and Vernom Wells playing cards... Mad Max 2 (1981)

    PREDSEDA
    PREDSEDA --- ---
    The Thing (1982) - John Carpenter Deleted Stop Motion
    https://www.youtube.com/watch?v=FaI54dq7xgk&ab_channel=StopMotionWorks
    PETGRIDUS
    PETGRIDUS --- ---
    Sylvester Stallone adjusting his costume on the set of Rambo First Blood (1982)

    PETGRIDUS
    PETGRIDUS --- ---
    Walter Hill Directs Arnold Schwarzenegger on the set of Red Heat (1988)

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